praise
“It's been a while since I've fallen this hard for nonfiction. McGrath's experiences among the charming, vibrant citizens of Lesotho and the wit, warmth, and writerly spark with which he puts them on the page make for a scrumptious literary chakalaka (see page 100).” —Mary Roach, New York Times bestselling author of Stiff: The Curious Lives of Human Cadavers
“With astute sensitivity, a reporter's eye, and a poet's command of language, Will McGrath introduces us to so much more than a place. He situates us inside the small quiet moments of grace that define everyday lives. The writing is at once joyous and devastating, luminous and tender..” —Inara Verzemnieks, Pulitzer Prize finalist and author of Among the Living and the Dead
“Who says there are no places left on earth to explore? In this charming memoir, Will McGrath traverses one of the world's least-known countries - Lesotho, tiny and mountainous, grappling with AIDS but rich with storybook history and its own invincible spirit. Everything Lost Is Found Again is beautifully written, by turns moving and hilarious. It's an enlightening adventure in the tradition of Patrick Leigh Fermor and V.S. Naipaul.” —Tony Perrottet, author of Off the Deep End: Travels in Forgotten Frontiers
“In dazzling prose and with humor both tender and sidesplitting, McGrath pulls off what I most adore about foreign reportage: he makes me care deeply about a place I’ve never been and wish desperately that I, too, could visit the nation and share his experiences.” —Rafe Bartholomew, former Grantland senior editor and author of Pacific Rims
about the author
Will McGrath has worked as a reporter, homeless shelter caseworker, public radio producer, UPS truck loader, Burger King mayo-applicator, ghostwriter, and ghosteditor, in slightly different order. He spent twenty months living in the southern African kingdom of Lesotho, and has written for The Atlantic, Pacific Standard, Foreign Affairs, Guernica, and Roads & Kingdoms, among other magazines. His writing has won nonfiction awards including the 2014 Felice Buckvar Prize and has been translated into Chinese, Hungarian, and Japanese.