praise
“This very serious work of fiction contains some of the funniest prose I have ever read . . . precise and beautiful details dazzle us for a while; then we realize that something ominous is hovering just above this funny prose.”
–Patricia Holt, San Francisco Chronicle
“The stories in Philip Graham’s first book of fiction are charged with an insouciant blend of playfulness and menace. Pondering The Art of the Knock, we are as likely to break into a smile as to debate its mysteries. We are in the presence of a young writer whose wit lights up the dark night of loneliness . . . there is no question of a quietly insistent artistry at work here, laying the groundwork for yet greater art to come.”
–Dan Cryer, Newsday
“Philip Graham’s funny and disquieting stories are encased in two layers of desolate metaphor. The desolation penetrates; a vaudeville show held inside a leaky bomb shelter sited within a zone of chemical spillage . . . We deal, in Graham’s age, with each other’s symptoms and not with each other. All seeing is through a glass darkly and nothing will be face-to face. Through this glass, his brief stories, part parable, part fantasy, go through their shadowed play . . . [T]he reader meets an original and febrile talent [and] quite a bit is, in the way of art, symptom of diseases we are only beginning to notice.”
–Richard Eder, Los Angeles Times
about the author
Philip Graham is the author of seven books of fiction and nonfiction, including the story collections The Art of the Knock and Interior Design; a novel, How to Read an Unwritten Language; and The Moon, Come to Earth, an expanded version of his series of McSweeney's dispatches from Lisbon. He is the co-author (with his wife, anthropologist Alma Gottlieb) of two memoirs of Africa, Parallel Worlds (winner of the Victor Turner Prize), and Braided Worlds. His work has been reprinted in Germany, Great Britain, India, the Netherlands, and Portugal.
Graham’s fiction has appeared in The New Yorker, North American Review, Fiction, Los Angeles Review and elsewhere, and his nonfiction has appeared in the New York Times, Chicago Tribune, Poets & Writers Magazine, and the Washington Post. The recipient of a National Endowment for the Arts fellowship, a National Endowment for the Humanities grant, two Illinois Arts Council awards, and the William Peden Prize in Fiction, Graham teaches at the University of Illinois at Urbana-Champaign, and the Vermont College of Fine Arts. A founding editor of the literary/arts journal Ninth Letter, he has served as the fiction and nonfiction editor, and as an editor-at-large for the journal’s website. His posts on the craft of writing can be found at www.philipgraham.net